Valley Boy, a Coming-of-Age Novel by Jack Remick

Valley Boy ($13.95, 254 pp, 6×9 Trade Paperback ISBN: 978-1-60381-145-3), by Jack Remick, covers a year in the life of a third-generation Okie teenager who is struggling with the stigma of his heritage.

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Valley Boy is the story of every kid who wandered out of the Valley into Baghdad by the Bay with dreams, imagination, curiosity and a mind that admitted stuff besides cars and girls. I’m tempted to say this is Remick’s best work …. The story is witty, tense and true. The protagonist is Ricky, but this is Linard’s story too—which makes this novel a more fulfilling coming of age journey than that of the self-absorbed, self-righteous icon of the Eastern Experience—Holden Caulfield …. Remick might be accused of writing a happy ending but I, for one, am happy to see an ol’ Okie boy find his place in the shade and out of those god damned vineyards and peach orchards. Good for Ricky. Good for Remick. It takes guts to write a novel such as this.”

—Frank Araujo, Anthropologist, Linguist, and Author of The Q Quest, A Perfect Orange, Nekane, The Lamiña and the Bear

Valley Boy is a teeming amalgam of allegory, pathos, and stark language, all wrapped in a blend of dark humor and strangely relatable characters. What is Valley Boy about? Turkey debeaker Ricky Edwards heads to college, falls in love with a rock guitarist, and faces coming of age challenges—such as learning how to order coffee and the importance of following The Rules—revealed in a storyline reminiscent of an Allen Ginsberg poem. Remick writes with a fresh voice in prose as raw as the open wounds his subjects are apt to suffer. An unrelenting literary experiment that is also a terrific read. Best enjoyed with a caffe latte … or maybe a macchiato?”

—Cole Alpaugh, author of The Bear in a Muddy Tutu and The Turtle Girl from East Pukapuka

“A lost Valley Boy is dying to belong so he takes a job debeaking turkeys—hot, sweaty, mindless work that still demands precision—to make the money to buy a hot car—the pricey ticket required for acceptance into the Lifters (all male hot rod club), but forces beyond his control—blind teenage lust, blue collar legacy, his inherited talent for the piano, love from an older woman, his jaundiced view of the church, and an exorbitant price for the blue Mercury Cougar—these forces pull the Valley Boy to the brink of his big decisions: Does he stay in the Valley? Does he marry the girl next door? Valley Boy is Remick at full power. Valley Boy is a non-stop read.”

—Robert J. Ray, author of Murdock Cracks Ice, and The Weekend Novelist Series.

Ricky Edwards lives, works, and plays in Centerville, a small California town in the middle of the Valley. Ricky has a gift for music but he’d rather fight, drink beer, chase girls, and debeak turkeys. He debeaks turkeys because he wants a Lifters Car Club jacket with red lettering on the back. He fights because his long time pal, Linard Polk, teaches him about violence, fast cars, and guns—which drives Teresa, Ricky’s hyper-religious mother, nuts. She wants Ricky to escape the legacy of his daddy, an Okie skirt chaser who abandoned the family for a honky-tonk preacher’s daughter gone bad. If Ricky can just get out of Centerville, maybe he can make his mark.

Says Remick: “When you grow up in the Central Valley you meet people who never stray much beyond their home town unless it’s to go next door to a football game. If you’re not the right caste, you learn to work with your hands and you work hard. You wonder if you can ever get out. I wrote Valley Boy in part to remind readers about the Diaspora, the Westward migration, that started in the Dust Bowl. Most people think the Migration ended with World War II, but it didn’t. In Valley Boy, the main characters are third-generation Okies who didn’t make it to the Pacific, got stuck in the dust, and were left behind in the orchards and vineyards doing the gut-busting labor that turns young boys into old men way too soon. I wanted to write about those Okie boys, like Ricky and Linard, who work and live with the bad taste of lost dreams in their mouths.

Jack Remick is a poet, short story writer, and novelist. Valley Boy is Book Two of a series, The California Quartet. More volumes will be released by Coffeetown Press in 2012: The Book of Changes and Trio of Lost Souls. The first book of the series, The Deification, was released in December of 2011. Blood, A Novel was published by Camel Press in 2011. Also coming from Coffeetown in 2012: Gabriela and the Widow. Click here to find Jack online.

Valley Boy is available in Kindle and 5×8 trade paperback editions on Amazon.com, the European Amazons and Amazon Japan. Wholesale orders can be placed through info@coffeetownpress.com or Ingram. Libraries can also purchase books through Follett Library Resources and Midwest Library Service.

Read on for an excerpt:

On Monday, in detention, Chela was sitting on a chair with her legs crossed and bouncing her foot in those white sandals. Her hair was up high. She was chewing gum and right off Ricky needed to get close to her. He dragged a chair over and sat down facing her. He said,

You want to go out with me?

She looked at her fingernails for a long time before she looked at him. And she stared him in the face and he wanted to crawl back behind the words, but she said,

You wanna go out with a Mexican?

I wanna go out with you.

What’s your mama gonna say?

My mama don’t tell me what to do, Ricky said.

What’s Linard gonna say?

What’s Linard got to say about what I do?

I can’t go out with you.

Why not?

My dad will kill me if I date an Anglo.

I’m an Okie, Ricky said. I’m not Anglo.

Chela laughed and, curling her fingers in her hair, she smiled.

Come on, Ricky said. I’ll take you to a movie.

A Mexican movie? At the Centerville Theater?

If that’s what you want.

I wanna go to Fresno to the Cinerama.

You tell me where and we’ll go there.

You really wanna go out with me?

I really do.

Well, no one can know, she said. Not even Linard Polk.

Why not?

’Cause of his pinchi brother, Kevin, you know?

Yeah, I know Kevin. He’s in the Marines.

Well, he knocked up Tony’s cousin and she hadda go to TJ for an abortion and she almost died.

Tony’s cousin? Ricky said. Who’s Tony?

Tony Avila, Chela said. My best friend, puto. Open your eyes and look around, man, ’cause you don’t know anybody in this pinchi school.

Okay, Ricky said, I won’t say nothin’ to nobody.

You better not ’cause if you do and my dad finds out he’ll beat the pinchi mierda outa you and he’ll kill me. You know what mierda is?

I think so, Ricky said.

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